ENTERPRISEby YP Enterprise Solution Co., Ltd.
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The room decides the system. Not the other way round.

Six room types, each with a different failure mode. What follows is how we approach each one — what usually goes wrong, what we deploy, and what we would check before committing to anything.

01 / ARCHITECTURE
The standard topology

One rack, three cable types, everything else derived.

Almost every ENTERPRISE room reduces to the same diagram. Structured cable to the seats and the cameras, 100 V line to the loudspeakers, and a single rack that holds the whole chain.

System topology — typical hearing or council roomSchematic
Field devices Equipment rack Outputs ENT-CFU-C / CFU-D Conference units · CAT5e PoE ENT-PTZ4K20 Cameras · HDMI / SDI / IP ENT-WLM2 Wireless mic · UHF ENT-KBD10 Operator desk · RJ45 PC / EVIDENCE FEED HDMI source ENT-CFH16 Conference control · 2U ENT-REC4K4 Record · stream · direct · 1U ENT-MA240 Mixer amplifier · 2U Managed switch · UPS · patch ENT-WS30 × n 100 V zones 1–5 ENT-VC60 Local level plates ROOM DISPLAYS HDMI out ×2 NETWORK / STREAM RTSP · RTMP · HLS ARCHIVE Hot-swap · USB · FTP
CABLE A

CAT5e / CAT6

Conference chain, camera IP and control, operator keyboard. One structured cable type covers audio, control and power to most of the room.

CABLE B

100 V loudspeaker line

Zoned distribution to wall loudspeakers, with passive level plates where a room needs local control. Long runs, small conductors, no impedance arithmetic per zone.

CABLE C

HDMI / SDI

Camera and evidence feeds into the recording host, and directed output back out to the room displays. Kept short and terminated in the rack.

02 / ROOMS
Six room types

What usually goes wrong, and what we do about it.

ROOM A

Courtroom & hearing room

The failure mode. Hard surfaces, no acoustic treatment, and a record that must be complete. Feedback appears the moment gain is raised to reach the gallery, and a single dropped channel can make a session unusable as evidence.

What we deploy. Chairman and delegate units with automatic speaker muting and internal howling suppression, a wireless lavalier for the witness position, two PTZ cameras, and a recording host writing both the directed programme and every isolated channel.

What we check first. Reverberation time, gallery depth, whether the bench position can take a fixed unit, and how the recording is expected to be archived and retrieved months later.

  • Core kitCFH16 · CFU-C/D · REC4K4
  • CapturePTZ4K20 × 2
  • SpeechWLM2 · WS30 · MA240
ROOM B

Council chamber & assembly

The failure mode. Many seats, contested speaking order, and a public that expects to watch. Meetings overrun because nobody can control the floor, and the stream is an afterthought bolted on with a laptop.

What we deploy. A conference chain in request-to-speak or FIFO mode with chairman priority, cameras on preset per seat block, and native RTMP or HLS publishing from the recording host — no external encoder and no laptop in the loop.

What we check first. Seat count and table geometry, whether members need individual monitoring, and the upstream bandwidth actually available at the building.

  • Core kitCFH16 · CFU-C/D ×n
  • PublishREC4K4 · KBD10
  • ReinforceMA240 · WS30 · VC60
ROOM C

Lecture theatre & training room

The failure mode. The presenter moves, the slides matter as much as the speaker, and the recording is worthless if only one of the two was captured. Back rows lose intelligibility long before they lose level.

What we deploy. Wireless lavalier for the presenter, a camera on the stage with recall presets, the presentation feed taken directly as an HDMI input, and composite recording so the finished file shows both. Distributed wall loudspeakers rather than a single front pair.

What we check first. Ceiling height, room depth, whether the lectern is fixed, and whether the recording will be published or archived.

  • Core kitREC4K4 · PTZ4K20
  • SpeechWLM2 · MA240 · WS30
  • LayoutsPiP · split · multi
ROOM D

Command & control room

The failure mode. Continuous duty. Consumer-grade equipment fails at the fan, the disk or the power supply somewhere in the second year, and a recorder that stops silently is worse than no recorder at all.

What we deploy. An embedded Linux recording platform with no moving parts except a hot-swappable surveillance-grade disk, one-key system recovery and abnormal file repair, driven from a single multi-protocol keyboard that can address a mixed camera fleet.

What we check first. Rack ventilation, UPS holdover, retention period required, and whether existing third-party cameras must be controlled from the same desk.

  • Core kitREC4K4 · KBD10
  • CamerasPTZ4K20 + third party
  • Duty24/7 embedded
ROOM E

Community & assembly hall

The failure mode. Whoever is on duty operates it. A system with a learning curve will be used wrongly, then abandoned, then declared broken.

What we deploy. A single mixer amplifier with front-panel zone switching and clearly legended level controls, wall plates so each area sets its own level, and priority ducking so an announcement always cuts through the background programme automatically.

What we check first. Who will actually operate it, how many separate areas need independent level, and whether background music is expected from Bluetooth, USB or tuner.

  • Core kitMA240 · WS30 · VC60
  • SourcesBluetooth · USB · FM
  • PriorityAuto ducking
ROOM F

Campus & municipal public address

The failure mode. Long cable runs across buildings, zones added over years by different contractors, and an amplifier that has quietly been overloaded since the last extension.

What we deploy. Constant-voltage distribution at 100 V with tap selection at each loudspeaker, so zones can be added or rebalanced without recalculating impedance, and five separately switchable zones per amplifier for staged announcements.

What we check first. Total connected tap power against amplifier rating, cable gauge and run length, and whether emergency announcement priority is required.

  • Core kitMA240 × n · WS30 × n
  • Line100 V / 70 V
  • Zones5 per amplifier
03 / DESIGN
Before anybody commits

Send us the room. We will send back the drawings.

Design assistance is not a paid service and it is not conditional on an order. It is how we find out whether the range actually suits your room — which is information we want as much as you do.

YOU SEND

The room

A floor plan or a sketch with dimensions, ceiling height, seat count, existing equipment, and any specification or scope document you have been given.

WE RETURN

The design

A single-line schematic, a device schedule with quantities, a cable schedule with types and lengths, and a rack elevation. In Thai or English.

WE ALSO SAY

The honest part

Where the range is not the right answer, where the room needs acoustic work before any electronics will help, and where you could spend less without losing anything.

Every room is different. Start with yours.

Send a plan, a seat count, or the specification you have been handed. We will come back with a schematic and an honest opinion.

Request a design